Woman to go, 2005
Mathilde ter Heijne
Installation view: Abundant Futures. Works from the TBA21 Collection, Centro de Creación Contemporánea de Andalucía C3A, Córdoba, Spain, 2022, photo: Rafael Suarez | TBA21
Photo: Bernd Borchardt | Galerie Arndt & Partner Berlin
Installation view: Abundant Futures. Works from the TBA21 Collection, Centro de Creación Contemporánea de Andalucía C3A, Córdoba, Spain, 2022, photo: Rafael Suarez | TBA21
Installation view: Mathilde ter Heijne, Susanne Vielmetter Los Angeles Projects, Los Angeles, USA, 2006 | Photo: Robert Wedemeyer
Installation view: Atopia – Migration, Heritage and Placelessness. Works from the Thyssen-Bornemisza Art Contemporary Collection, Museo de Arte Contemporáneo – Lima, Lima, Peru, 2017 | Photo: Juan Pablo Murrugarra
Collection
B/w offset prints (postcards), metal racks
TBA21 Thyssen-Bornemisza Art Contemporary Collection
The title of Mathilde ter Heijne’s work Woman to go can be taken quite literally: visitors can choose between 180 different postcards portraying women and walk away with any number of images they select. The postcards depict women who lived between 1839, when the first daguerreotypes were made, and the 1920s, a period marked by the rise of women’s movements. Ter Heijne began searching and collecting these photographs in museum archives around the world in 2001. Each photo was taken as an ethnographic record. The identity of the persons has since been lost or was not recorded, or else, the archives in which their names were registered never correlated with the photographs. Perhaps they were never considered as individuals, but rather representatives of their societies, the attributes of their husbands or fathers, or the property of their masters.
The back of each portrait records brief biographies of women from the same epoch; lives which, considering the conditions of the time, could be described as extraordinary. The subjects of these biographies include Aletta Jacobs, one of the first female doctors in the Netherlands, the Zulu queen Nandi, and the Palestinian writer May Ziadeh. Their stories are mostly fragmented and seldom completely documented. Through the loose and associative conjunction of meticulously researched biographies and anonymous photographs, the artist poses a question: Why did these women, in spite of their achievements, not claim their rightful place in history? Woman to go rewrites these women back into history and calls for an imaginary assembly of women whose lives have been discarded, made invisible, and subjugated. By taking the photographs away, the public engages with their stories and spreads them further.
PAST LOANS
Group exhibition: Abundant Futures
Venue: C3A Centro de Creación Contemporánea de Andalucía, Córdoba
Curator: Daniela Zyman
Exhibition 1 April 2022 - 5 March 2023
TBA21 Thyssen-Bornemisza Art Contemporary Collection
The title of Mathilde ter Heijne’s work Woman to go can be taken quite literally: visitors can choose between 180 different postcards portraying women and walk away with any number of images they select. The postcards depict women who lived between 1839, when the first daguerreotypes were made, and the 1920s, a period marked by the rise of women’s movements. Ter Heijne began searching and collecting these photographs in museum archives around the world in 2001. Each photo was taken as an ethnographic record. The identity of the persons has since been lost or was not recorded, or else, the archives in which their names were registered never correlated with the photographs. Perhaps they were never considered as individuals, but rather representatives of their societies, the attributes of their husbands or fathers, or the property of their masters.
The back of each portrait records brief biographies of women from the same epoch; lives which, considering the conditions of the time, could be described as extraordinary. The subjects of these biographies include Aletta Jacobs, one of the first female doctors in the Netherlands, the Zulu queen Nandi, and the Palestinian writer May Ziadeh. Their stories are mostly fragmented and seldom completely documented. Through the loose and associative conjunction of meticulously researched biographies and anonymous photographs, the artist poses a question: Why did these women, in spite of their achievements, not claim their rightful place in history? Woman to go rewrites these women back into history and calls for an imaginary assembly of women whose lives have been discarded, made invisible, and subjugated. By taking the photographs away, the public engages with their stories and spreads them further.
PAST LOANS
Group exhibition: Abundant Futures
Venue: C3A Centro de Creación Contemporánea de Andalucía, Córdoba
Curator: Daniela Zyman
Exhibition 1 April 2022 - 5 March 2023
FIND MORE
Laurel Oldach, “What’s with Wikipedia and women?”, in The Member Magazine of the American Society for Biochemistry and Molecular Biology ASBMBToday, March 8, 2022
Michelle Caswell, Marika Cifor, "From Human Rights to Feminist Ethics: Radical Empathy in Archives," in Archivaria, The Journal of the Association of Canadian Archivists, 2021
Saidiya Hartman. Wayward Lives, Beautiful Experiments: Intimate histories of social upheaval, New York: W. W. Norton and Co., 2019
Sarah Jaffe, "All Organizing Is Magic," Verso Blog, 2019
Eileen Hunt Botting, “Mary Wollstonecraft, Bringing down the patriarchy”, in Aeon, July 25, 2018
Silvia Federici on the #MeToo Movement, video, e-flux, 2018
"Every Woman Is a Working Woman," Silvia Federici interviewed by Jill Richards, Boston Review, 2018
Allan Sekula, "The Body and the Archive, October," no. 39, Winter 1986: 3 – 64
The History of Postcards
Women Footprint in History, multimedia timeline
Michelle Caswell, Marika Cifor, "From Human Rights to Feminist Ethics: Radical Empathy in Archives," in Archivaria, The Journal of the Association of Canadian Archivists, 2021
Saidiya Hartman. Wayward Lives, Beautiful Experiments: Intimate histories of social upheaval, New York: W. W. Norton and Co., 2019
Sarah Jaffe, "All Organizing Is Magic," Verso Blog, 2019
Eileen Hunt Botting, “Mary Wollstonecraft, Bringing down the patriarchy”, in Aeon, July 25, 2018
Silvia Federici on the #MeToo Movement, video, e-flux, 2018
"Every Woman Is a Working Woman," Silvia Federici interviewed by Jill Richards, Boston Review, 2018
Allan Sekula, "The Body and the Archive, October," no. 39, Winter 1986: 3 – 64
The History of Postcards
Women Footprint in History, multimedia timeline
Born in Strasbourg, France, in 1969. Lives in Berlin, Germany.