Blackout, 2017
Allora & Calzadilla
Photo: Courtesy the artist | Lisson Gallery, London/New York
Installation view: Allora & Calzadilla. Blackout, MAXXI, Rome, Italy, 2018
Collection
Loans
Copper, ceramic, iron, steel, oscillator, speaker, vocal performance
139 x 262 x 129 cm
The relics of an electromagnetic transformer that exploded in Puerto Rico in 2016, causing a lengthy power outage and complete blackout across the country, are reimagined by Puerto Rico–based artist duo Allora & Calzadilla as an instrument that reproduces energy flows. Ceramic insulators and transformer coils form an amorphous mass of electrically charged copper assembled into a monstrous power station of sorts. The pieces were acquired from the chronically underfunded Aguirre Power Plant in Salinas, which is operated by the Puerto Rico Electric Power Authority—one of the largest bond issuers responsible for the current 74-billion-dollar debt burdening Puerto Rico’s economy. Blackout’s frayed, mangled, and corroded body presents a state of material and sonic decomposition. It expresses the depraved political, financial, and environmental network that weaves energy production and debt, embodying economic distortions, structural disfunction, and legal maladjustments.
mains hum is a series of vocal actions created in collaboration with the conductor Donald Nally and the composer David Lang that explores the mains hum—the continuous, low humming that buzzes from old or improperly grounded electrical transformers. The composition uses a quote by Benjamin Franklin, only the words remain indecipherable, transformed into a system that controls the music. The quote reads: “In going on with these Experiments, how many pretty systems do we build, which we soon find ourselves oblig’d to destroy! If there is no other Use discover’d of Electricity, this, however, is something considerable, that it may help to make a vain Man humble.”
PAST LOANS
Group exhibition: Abundant Futures
Venue: C3A Centro de Creación Contemporánea de Andalucía, Córdoba
Curator: Daniela Zyman
April 1, 2022 - March 5, 2023
mains hum is activated weekly by the Córdoba-based choir Coro Brouwer and students from the Escuela Superior de Arte Dramático.
139 x 262 x 129 cm
The relics of an electromagnetic transformer that exploded in Puerto Rico in 2016, causing a lengthy power outage and complete blackout across the country, are reimagined by Puerto Rico–based artist duo Allora & Calzadilla as an instrument that reproduces energy flows. Ceramic insulators and transformer coils form an amorphous mass of electrically charged copper assembled into a monstrous power station of sorts. The pieces were acquired from the chronically underfunded Aguirre Power Plant in Salinas, which is operated by the Puerto Rico Electric Power Authority—one of the largest bond issuers responsible for the current 74-billion-dollar debt burdening Puerto Rico’s economy. Blackout’s frayed, mangled, and corroded body presents a state of material and sonic decomposition. It expresses the depraved political, financial, and environmental network that weaves energy production and debt, embodying economic distortions, structural disfunction, and legal maladjustments.
mains hum is a series of vocal actions created in collaboration with the conductor Donald Nally and the composer David Lang that explores the mains hum—the continuous, low humming that buzzes from old or improperly grounded electrical transformers. The composition uses a quote by Benjamin Franklin, only the words remain indecipherable, transformed into a system that controls the music. The quote reads: “In going on with these Experiments, how many pretty systems do we build, which we soon find ourselves oblig’d to destroy! If there is no other Use discover’d of Electricity, this, however, is something considerable, that it may help to make a vain Man humble.”
PAST LOANS
Group exhibition: Abundant Futures
Venue: C3A Centro de Creación Contemporánea de Andalucía, Córdoba
Curator: Daniela Zyman
April 1, 2022 - March 5, 2023
mains hum is activated weekly by the Córdoba-based choir Coro Brouwer and students from the Escuela Superior de Arte Dramático.
Meet the artists | Allora & Calzadilla, Art Basel, talks, 2021
T. J. Demos, Blackout: The Necropolitics of Extraction, Dispatches Journal, ISSUE #000
Beatrice Zamponi, Blackout: Allora and Calzadilla at the MAXXI in Rome, Domus, 2018
Jackie Wang, Carceral Capitalism, The New Inquiry, 2018
Macarena Gómez-Barris et Al., Beyond the Extractive View, Social Text, online, 2018
Kate Aronoff, Disaster capitalists take big step towards privatising Puerto Rico's electric grid, The Intercept, 2017
T. J. Demos, Blackout: The Necropolitics of Extraction, Dispatches Journal, ISSUE #000
Beatrice Zamponi, Blackout: Allora and Calzadilla at the MAXXI in Rome, Domus, 2018
Jackie Wang, Carceral Capitalism, The New Inquiry, 2018
Macarena Gómez-Barris et Al., Beyond the Extractive View, Social Text, online, 2018
Kate Aronoff, Disaster capitalists take big step towards privatising Puerto Rico's electric grid, The Intercept, 2017
Jennifer Allora born in Philadelphia, USA, in 1974.
Guillermo Calzadilla born in Havana, Cuba, in 1971.
They live in San Juan, Puerto Rico.
Guillermo Calzadilla born in Havana, Cuba, in 1971.
They live in San Juan, Puerto Rico.